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Home › News & Events › News › Asst. Editor Stephanie Silva (’19) talks about her work on upcoming Nicole Kidman-starrer ‘Holland’

Asst. Editor Stephanie Silva (’19) talks about her work on upcoming Nicole Kidman-starrer ‘Holland’

February 28, 2025

Assistant Editor Stephanie Silva (BFA Film & Television ’19) is collecting some high-profile film credits to her name. As well as her assistant editing work on this summer’s F1, starring Brad Pitt, Kerry Condon and Javier Bardem, Stephanie contributed her skills to Holland, which will make its world premiere on March 9 at SXSW before being released on Amazon Prime Video later in the month.

With an all-star cast including Nicole Kidman, Gael García Bernal, and Matthew Macfadyen, Holland tracks the crumbling of a woman’s picture-perfect life in quaint Holland, Michigan, when she and a friend uncover a twisted secret in their midst.

TFTV recently caught up with Stephanie.

How did you come to work on Holland?

I came to work on Holland through the editor, Martin Pensa. I worked with him at Legendary Pictures on the movie Brothers as the Post Production Assistant. There I learned from the assistant editors on how he does his dailies process, his workflow, and the entire post-production process. After Brothers, he hired me on a short project as his assistant editor. I called that project the “test” as it was the first time I worked with him as his assistant editor. Martin edited Fresh, also directed by Mimi Cave, so she got the crew back together for Holland and I got to join in as the 2nd Assistant Editor.

What was the experience like, working on a high-profile studio film? Were you mentored?

We didn’t work at the studio, but in an office in Burbank so it felt like we were working in a bubble away from everything. Every day was a new day with a puzzle to solve from making a VFX comp, finding sound effects, or finding the perfect laugh for a scene. We were a group of friends making a movie and helping Mimi’s vision come to life. I learned so much from everyone and we had fun in the process.

I’ve been very lucky to have mentors that are filmmakers, editors and assistant editors. It’s surreal to work with the people that have made work I love. They have given me the best advice and are very encouraging.

The main differences between working at a studio versus independent projects are workflows and having tech support. I very much appreciate having the ability to call tech support when a speaker blows out or my monitor needs to be calibrated.

The trailer for Holland is intriguing, in that it hints at Kidman’s character falling apart without giving the whole plot away. Without spoilers, what do you think will surprise audiences about this film?

I really like the film! The cast is amazing and I still can’t believe they’re all in one movie. I really enjoyed Mimi’s first film Fresh so I knew right away I was going to like Holland. I don’t want to give away too much about the film, but something that will surprise the audience is that Nicole Kidman has great comedic timing. You’ll have to wait and see!

Are you planning to be at the film’s premiere at SXSW?

I am currently working in LA, so I sadly will not be going to SXSW. I will however have a movie night with my friends when it comes out on March 27th!

And finally, a question we love to ask our alumni: who at TFTV inspired you and why, and what did you learn at TFTV that you value to this day?

Jacob Bricca, Dan Brock and Beverly Seckinger very much inspired me during my time at the UofA. While in Professor Bricca’s editing class I had no idea at the time that I wanted to do post-production. One of the biggest takeaways was how to explain a cut and give notes. When making a suggestion, I should be able to have a good reason behind it. Dan Brock was my boss at MARPL, and I was very intimidated by filming with the camera kits. He was very encouraging, answered all my questions and made me more confident with the equipment that prepared me for my first job in LA. Professor Seckinger was my documentary professor, and she really pushed for me to put myself and my voice in my documentary which terrified me. I was a bit shy, but it ended up being ok!

My biggest takeaway from everyone was to do the thing that scares you. Filmmaking is an art that you can try new things and learn from mistakes. Learning and repetition can build confidence, and never be afraid to put yourself out there.

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Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT! – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
... See MoreSee Less

2 weeks ago
Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT!  – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
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On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.
... See MoreSee Less

2 weeks ago
On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: https://youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.Image attachmentImage attachment+Image attachment
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Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

3 weeks ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
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IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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El mejor Director el Mejor cortometraje felicidades Alek Mendez lo hiciste Excelente ❤️❤️❤️

IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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