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Home › News & Events › News › University of Arizona School of Theatre, Film & Television Announces 2021/2022 Theatre Performance Season

University of Arizona School of Theatre, Film & Television Announces 2021/2022 Theatre Performance Season

August 6, 2021


TUCSON, AZ (August 6, 2021) – The School of Theatre, Film & Television (TFTV) at the University of Arizona College of Fine Arts is proud to present the return of live, in-person, public performances with the announcement of its 2021/2022 theatre season. In a move to provide performance opportunities for more theatre students, the School’s six-show season will comprise four Arizona Repertory Theatre (ART) productions and two productions presented by the Next Performance Collective, and will take place from October 2021 through May 2022.

Beloved in the local theatre landscape and regularly ranking in Onstage’s ‘National Top 30 Musical Theatre Programs,’ ART is a training program modeled after professional theatre companies and comprises students from the BFA program in Acting and Musical Theatre. A new initiative of the BA Theatre Studies division, Next Performance Collective houses outstanding student-devised theatre pieces and works by emerging playwrights. Students from the Design and Technology program will provide design and production support on all ART and Next Performance Collective productions.

“With this season we look forward to amplifying under-represented voices, and to providing students across the School with an opportunity to work on a broad range of classical, contemporary and self-devised work,” says TFTV Director Andy Belser. “The variety of productions truly means that there is something for everyone.”

The performance season will open with two ART productions: Into the Woods, one of Stephen Sondheim’s most popular and enchanting musicals, and Three Sisters, the Chekhov classic adapted by one of the leading voices in contemporary theatre, Sarah Ruhl. Next is the Next Performance Collective presentation of Branden Jacobs-Jenkins’ Everybody – a modern riff on Everyman, one of the oldest plays in the English language. ART presents Living Dead in Denmark, a witty action-adventure/horror sequel to Shakespeare’s Hamlet written by Qui Nguyen, along with the rock-and-roll musical High Fidelity, and the season concludes with the New Directions Festival, the first in an annual festival of thrillingly unpredictable created content generated by BA Theatre students.

The School of Theatre, Film & Television is part of Arizona Arts, a division at The University of Arizona that brings together the highly-regarded academic programs of the College of Fine Arts with world-renowned offerings from Arizona Arts Live, Arizona Arts in Schools, Center for Creative Photography, and the University of Arizona Museum of Art. A centralized Box Office has been installed for all Arizona Arts entities through which TFTV will be offering all season subscriptions and tickets.

Ticket Information

Season subscriptions are on sale now. Subscriptions are available at the Arizona Arts Box Office by phone at (520) 621-3341, online at tickets.arizona.edu, or in person beginning August 17, 2021 at 1020 E. University Blvd, inside Centennial Hall on the University of Arizona campus. Beginning August 17, 2021 regular hours of operation are Tuesday – Friday from 12-6pm, Saturday 12-5pm.

Single tickets will go on sale Tuesday, September 7, 2021, and may be purchased online at tickets.arizona.edu, by phone at (520) 621-3341, or in person at the Arizona Arts Box Office.

Learn more about Arizona Repertory Theatre and Next Performance Collective at theatre.arizona.edu.

School of Theatre, Film & Television 2021-2022 Theatre Season

Into the Woods
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Originally Directed on Broadway by James Lapine
Orchestrations by Jonathan Tunick
Arizona Repertory Theatre Production
October 10 – 24, 2021 | Tornabene Theatre

James Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless yet relevant piece. The Tony Award-winning book and score are both enchanting and touching. One of Sondheim’s most popular works, Into the Woods is a musically sophisticated show that allows actors to flex their dark comedy skills. Designers will especially enjoy highlighting the fantastical elements of this magical world.

INTO THE WOODS is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Three Sisters
by Anton Chekhov
A New Version by Sarah Ruhl
based on a literal translation by Elise Thoron with Natalya Paramonova and Kristin Johnsen-Neshati
Arizona Repertory Theatre Production
November 7 – 21, 2021 | Tornabene Theatre

Transplanted from their beloved Moscow to a provincial Russian town, three sisters—schoolteacher Olga, unhappily married Masha, idealistic Irina—yearn for the city of their childhood, where they imagine their lives will be transformed and fulfilled. Three Sisters is the portrait of a family grappling with the bittersweet distance between reality and dreams. Discover the humor and heartbreak of one of the world’s greatest plays, lyrically adapted by one of the leading voices in contemporary theatre: two-time Pulitzer Prize finalist Sarah Ruhl.

“Three Sisters (Ruhl)” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Everybody
by Branden Jacobs-Jenkins
Next Performance Collective Production
December 3 – 5, 2021 | Tornabene Theatre

Everybody is dying, starting now. But in the meantime, they must account for their life in a public presentation. Can Friendship or Kinship help? Maybe Beauty, Strength, or Mind? Or will these virtues abandon Everybody in their hour of need? Follow a nimble ensemble of actors, cast by lottery at each performance, through this playful allegory on the meaning of life and the mystery of death.

Living Dead in Denmark
By Qui Nguyen
Arizona Repertory Theatre Production
February 27 – March 20, 2022 | Tornabene Theatre

When the dead walk … you run! Living Dead in Denmark is an action-adventure/horror sequel to Shakespeare’s Hamlet. Set five years after the events of the original, the undead have risen to power and are trying to take over the world, led by the zombie lord and true king of Denmark. Fortinbras, assembling a formidable opposition, has resurrected the corpses of some of the greatest women that Shakespeare had to offer: Lady Macbeth, Juliet, and the very angry Ophelia. A clash of the undead titans ensues! Using Hamlet as a jumping-off point, Qui Nguyen throws in martial arts, horror movies, pop songs, puppetry, and comic books in a hilarious and witty new play.

High Fidelity
Lyrics by Amanda Green Music by Tom Kitt Book by David Lindsay-Abaire
Arizona Repertory Theatre Production
April 10 – 24, 2022 | TFTV Outdoor Stage

When Brooklyn record store owner Rob finds himself unexpectedly dumped, his life takes a music-filled turn toward the introspective. Based on the popular novel by Nick Hornby, High Fidelity follows Rob as he struggles to discover how his relationship went awry, and strives to change his life in order to win back his sweetheart Laura. With memorable characters and a rock-and-roll score, this homage to music geek culture explores love, heartbreak, and the power of the perfect soundtrack.

New Directions Festival
Next Performance Collective Production
April 29 – May 1, 2022 | Tornabene Theatre

New directions, new voices. Watch an evening of short pieces devised, directed, designed, and performed entirely by students. This is the first in an annual festival of created content generated by students.

The University of Arizona School of Theatre, Film & Television (TFTV) nurtures and develops outstanding artists and scholars via rigorous training and mentoring by internationally recognized faculty, high-level internship opportunities, industry-standard resources, and hands-on production experience. TFTV offers comprehensive training programs that aim to prepare students to succeed in a wide range of careers – in the industry, the arts, and higher education. Each year through Arizona Repertory Theatre productions, Next Performance Collective productions, and Film & Television screenings, students of TFTV are able to showcase their talents, tell compelling stories, and provide clear results of what happens in their classrooms and studios. TFTV’s Film & Television program regularly ranks in The Wrap’s “Top 50 Film Schools,” and the School’s Theatre programs regularly rank in Onstage’s “Top 30 College Musical Theatre Programs” and “Top 30 College Theatre Design & Tech Programs” making UA one of the country’s top institutions to study theatre, film and television. More at tftv.arizona.edu.

FOR IMMEDIATE RELEASE
PRESS CONTACT: Kerryn Negus
knegus@email.arizona.edu

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Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.

We are heading into the FINAL weekend of Romeo + Juliet performances! 🥀⚔

Don't miss this production dubbed "imaginative and lush" and "a refreshingly novel experience" by BroadwayWorld! Read more from the review here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre....

Romeo & Juliet performances continue through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet.

We're also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.
... See MoreSee Less

5 days ago
Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.

We are heading into the FINAL weekend of Romeo + Juliet performances! 🥀⚔

Dont miss this production dubbed imaginative and lush and a refreshingly novel experience by BroadwayWorld! Read more from the review here: https://tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program/.

Romeo & Juliet performances continue through Mar. 19, 2023. Tickets are available here: https://am.ticketmaster.com/uacfa/Romeo&Juliet.

Were also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.Image attachmentImage attachment+7Image attachment
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👏👏👏

Romeo + Juliet Reviews: “A Refreshingly Novel Experience” from a “Stellar Theatre Program”

Romeo + Juliet opened on the Tornabene stage last week, and reviewers from BroadwayWorld and the Arizona Daily Star praised the cast, crew and director Brent Gibbs.

Writing for the Star, Kathy Allen gave kudos to Gibbs for his use of music in this version of the play, which is set in Verona, Kentucky. "Gibbs … injected Appalachian ballads, all about death and dying, into the play. That … was a sort of stroke of genius."

Broadway World's Robert Encila Celdran acknowledged members of the creative team for the “refreshingly novel experience” of the production and its concept – giving nods to Brooke Ford and Jakob Dyson for lighting and sound design, respectively, for "creating sensory details to match a distinctively spirited storytelling approach” and to Christina Griffey's “imaginative and lush” set.

Both reviewers lauded various cast members. Kathy Allen remarked that "Max Murray gave Romeo the innocence and passion necessary in the young lover" and "his Juliet, Sydney Disabato, matched him. One almost blushes witnessing the intense romance between the two."

Romeo + Juliet will run through March 19th in the Tornabene Theatre.

Read more highlights from the reviews here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program
... See MoreSee Less

2 weeks ago
Romeo + Juliet Reviews: “A Refreshingly Novel Experience” from a “Stellar Theatre Program”

Romeo + Juliet opened on the Tornabene stage last week, and reviewers from BroadwayWorld and the Arizona Daily Star praised the cast, crew and director Brent Gibbs.

Writing for the Star, Kathy Allen gave kudos to Gibbs for his use of music in this version of the play, which is set in Verona, Kentucky. Gibbs … injected Appalachian ballads, all about death and dying, into the play. That … was a sort of stroke of genius.  

Broadway Worlds Robert Encila Celdran acknowledged members of the creative team for the “refreshingly novel experience” of the production and its concept – giving nods to Brooke Ford and Jakob Dyson for lighting and sound design, respectively, for creating sensory details to match a distinctively spirited storytelling approach” and to Christina Griffeys “imaginative and lush” set.

Both reviewers lauded various cast members. Kathy Allen remarked that Max Murray gave Romeo the innocence and passion necessary in the young lover and his Juliet, Sydney Disabato, matched him. One almost blushes witnessing the intense romance between the two.

Romeo + Juliet will run through March 19th in the Tornabene Theatre.

Read more highlights from the reviews here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program
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Photo by Tim Fuller. Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.

Congratulations to all these amazing students and faculty!

Too bad this post left out Kathy Allen’s comment about the Musical Theatre degree being dropped and the quality of actors who can also sing will be lost..

Huge congrats to Lance Guzman (BA Theatre Studies ’17) on his acceptance into the highly competitive MFA Acting Program at CalArts School of Theater in Los Angeles 🎉🎉

“I am very excited to start this next chapter of my career and I can’t wait to see what the future has in store for me,” said Guzman. “I am grateful for my time at the University of Arizona, for the opportunity to have been part of the Studio Series, and for the encouragement of Professor Elaine Romero.”

Among many other performances while studying at TFTV, Guzman appeared in the Studio Series’ 'Giants Have Us In Their Books,' directed by Marc Pinate, and 'Mother of Exiles,' part of the U.S./Mexican Border Trilogy by playwright and TFTV Assoc. Prof. Elaine Romero. He also appeared in a number of short films created by Film & Television students including the lead roles in 'A Hunger,' directed by Anthony Cutrone (BFA Film & Television, ’20) and 'Rose,' directed by Linda Varela (BFA ’22). Since graduating, Guzman has been a mainstay in the Tucson theatre scene, appearing in The Scoundrel & Scamp Theatre productions of ‘Salome,’ ‘Mr. Burns,’ ‘Blood Wedding,’ ‘The Little Prince,’ ‘It Is Magic’ and ‘Citizen.’ At The Rogue Theatre, he performed in ‘As You Like It,’ ‘The Oresteia,’ ‘Moby Dick’ and most recently in Lynn Nottage’s Pulitzer-prize winning play, ‘Sweat.’

Bear Down, Lance!
... See MoreSee Less

2 weeks ago
Huge congrats to Lance Guzman (BA Theatre Studies ’17) on his acceptance into the highly competitive MFA Acting Program at CalArts School of Theater in Los Angeles 🎉🎉

“I am very excited to start this next chapter of my career and I can’t wait to see what the future has in store for me,” said Guzman. “I am grateful for my time at the University of Arizona, for the opportunity to have been part of the Studio Series, and for the encouragement of Professor Elaine Romero.”

Among many other performances while studying at TFTV, Guzman appeared in the Studio Series’ Giants Have Us In Their Books, directed by Marc Pinate, and Mother of Exiles, part of the U.S./Mexican Border Trilogy by playwright and TFTV Assoc. Prof. Elaine Romero. He also appeared in a number of short films created by Film & Television students including the lead roles in A Hunger, directed by Anthony Cutrone (BFA Film & Television, ’20) and Rose, directed by Linda Varela (BFA ’22). Since graduating, Guzman has been a mainstay in the Tucson theatre scene, appearing in The Scoundrel & Scamp Theatre productions of ‘Salome,’ ‘Mr. Burns,’ ‘Blood Wedding,’ ‘The Little Prince,’ ‘It Is Magic’ and ‘Citizen.’ At The Rogue Theatre, he performed in ‘As You Like It,’ ‘The Oresteia,’ ‘Moby Dick’ and most recently in Lynn Nottage’s Pulitzer-prize winning play, ‘Sweat.’

Bear Down, Lance!
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So thrilled! Congrats, Lance!

Congrats!

Congratulations, Lance!

Congrats, good sir! Well deserved.

Lance Guzman, I think the world of you and I am so very thrilled that you will be at CalArts! Congratulations from your UArizona peeps. I have been so honored to be part of the community that has participated in your trajectory thus far. Also, you write a good play. Don't forget!

Wow that's amazing, so proud of you!!

Congratulations Lance!!🥰

Congratulations!!! Keep Reaching for the Stars 🎬🎭⭐

Congratulations Buddy! Thanks Fantastic!

Congratulations Lance!!

Congratulations Lance!

So proud of you Lance! Keep it up!

Very nice congratulations

That's fabulous! Congrats!

A friend of Erin’s?

Congratulations Lance!!

Good job Lance Guzman! I'm happy you are pushing hard to get what you want!

Way to go Lance!!

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We're proud to announce that 'How Documentaries Work,' the new book by Assoc. Prof. Jacob Bricca, was recently published by Oxford University Press. Last week at the book's launch party, documentary veteran Jack Walsh delivered opening remarks before Bricca read insightful passages from the book and then took part in a lively Q&A.

In addition to his book release, Bricca has been continuing the festival and awards tour for Missing in Brooks County, the award-winning human rights documentary he produced and edited. Last month, he travelled with the film’s directors Lisa Molomot (TFTV Adjunct Instructor) and Jeff Bemiss to New York to attend the duPont-Columbia University Awards, where the film was honored alongside the Oscar-nominated Navalny and the festival darling The Janes, among others.

Congratulations, Prof. Bricca!

Read more about Prof. Bricca's latest achievements here: tftv.arizona.edu/news/assoc-prof-jacob-bricca-releases-new-book-how-documentaries-work-continues-...
... See MoreSee Less

2 weeks ago
Were proud to announce that How Documentaries Work, the new book by Assoc. Prof. Jacob Bricca, was recently published by Oxford University Press. Last week at the books launch party, documentary veteran Jack Walsh delivered opening remarks before Bricca read insightful passages from the book and then took part in a lively Q&A.

In addition to his book release, Bricca has been continuing the festival and awards tour for Missing in Brooks County, the award-winning human rights documentary he produced and edited. Last month, he travelled with the film’s directors Lisa Molomot (TFTV Adjunct Instructor) and Jeff Bemiss to New York to attend the duPont-Columbia University Awards, where the film was honored alongside the Oscar-nominated Navalny and the festival darling The Janes, among others.

Congratulations, Prof. Bricca!

Read more about Prof. Briccas latest achievements here: https://tftv.arizona.edu/news/assoc-prof-jacob-bricca-releases-new-book-how-documentaries-work-continues-festivals-and-awards-tour-with-film-missing-in-brooks-county/
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Congratulations to TFTV senior Jess Scott on the selection of her play for inclusion in Winding Road Theater Ensemble's May production Eight 10s in Tucson!

Eight 10s is a 10-minute play festival featuring eight original scripts chosen from hundreds of blind submissions from all over the United States, vetted and curated to assemble an eclectic collection of comedies and dramas on themes pertinent to our lives.

"This play was actually the first time I seriously focused on writing a piece," says Jess. "I worked on it over the course of the summer that I initially came out to close friends and family as trans as a way to help come to terms with and understand the beginnings of my gender transition. The piece centers on two young men, one cis, one trans, meeting on a 4 AM bus ride on the hardest night of each of their lives. Professor Roweena Mackay was a huge force in encouraging me to work on my writing during that first semester in the BA when I began work on it, and I can’t thank her enough for doing so. It means a lot to have this piece produced as a part of Eight 10s in Tucson given how much it has meant to me uncovering my identity, and I’m thrilled to be a part of the festival."

Jess, a senior Theatre Studies major, is also serving as the dramaturg for TFTV's upcoming production of HEAD OVER HEELS. And rounding out the year, she'll be directing a piece for the 2023 NEW DIRECTIONS FESTIVAL.

Congratulations, Jess!
... See MoreSee Less

3 weeks ago
Congratulations to TFTV senior Jess Scott on the selection of her play for inclusion in Winding Road Theater Ensembles May production Eight 10s in Tucson! 

Eight 10s is a 10-minute play festival featuring eight original scripts chosen from hundreds of blind submissions from all over the United States, vetted and curated to assemble an eclectic collection of comedies and dramas on themes pertinent to our lives.

This play was actually the first time I seriously focused on writing a piece, says Jess. I worked on it over the course of the summer that I initially came out to close friends and family as trans as a way to help come to terms with and understand the beginnings of my gender transition. The piece centers on two young men, one cis, one trans, meeting on a 4 AM bus ride on the hardest night of each of their lives. Professor Roweena Mackay was a huge force in encouraging me to work on my writing during that first semester in the BA when I began work on it, and I can’t thank her enough for doing so. It means a lot to have this piece produced as a part of Eight 10s in Tucson given how much it has meant to me uncovering my identity, and I’m thrilled to be a part of the festival.

Jess, a senior Theatre Studies major, is also serving as the dramaturg for TFTVs upcoming production of HEAD OVER HEELS. And rounding out the year, shell be directing a piece for the 2023 NEW DIRECTIONS FESTIVAL. 

Congratulations, Jess!
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We're thrilled to present Jess' play! It's phenomenal!

I love a Jess Scott play. I love the work she has been generating here at UArizona. I am so excited for the world to see her work, hear her voice. What a playwright!!!! I am not surprised Winding Road Theater Ensemble wanted to include this play. She's also working on a really cool one as we speak. You will just have to wait!

YASSS JESS!!!

Two households, both alike in dignity, In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean...

Romeo + Juliet opens tomorrow!

Professor Brent Gibbs recently spoke to the fresh presentation of this play. “In the landscape of Shakespeare’s canon Romeo and Juliet, rightly, looms large. With this production we wanted to create a world that unlocks the story for an American audience. To that end we have set our story in Verona, Kentucky just 60 miles from where America’s most famous family feud between the Hatfield and McCoys played out. The setting has proved fortuitous, providing new resonances and revealing new layers of meaning in what promises to be an accessible and highly entertaining telling of this beloved classic.”

This will be the 50th production directed for the School by Prof. Gibbs!

Romeo & Juliet will have performances through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet

We're also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.
... See MoreSee Less

3 weeks ago
Two households, both alike in dignity, In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean...

Romeo + Juliet opens tomorrow!

Professor Brent Gibbs recently spoke to the fresh presentation of this play. “In the landscape of Shakespeare’s canon Romeo and Juliet, rightly, looms large. With this production we wanted to create a world that unlocks the story for an American audience. To that end we have set our story in Verona, Kentucky just 60 miles from where America’s most famous family feud between the Hatfield and McCoys played out. The setting has proved fortuitous, providing new resonances and revealing new layers of meaning in what promises to be an accessible and highly entertaining telling of this beloved classic.”

This will be the 50th production directed for the School by Prof. Gibbs!

Romeo & Juliet will have performances through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet

Were also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.Image attachmentImage attachment+7Image attachment
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Looks lovely. Wish I could see it. Echoes of "The Rover" Bret Scott

Looks amazing..wish we were there!

Gorgeous set! Looks like a really great production!

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School Of Theatre, Film & Television

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P.O. BOX 210003
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Email: theatre@cfa.arizona.edu

Phone: (520) 621-7008

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P.O. BOX 210004
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Phone: (520) 621-1302

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