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Home › News & Events › News › UArizona School of Theatre, Film & Television ascends public school rankings in ‘The Wrap’ Top 50 Film Schools of 2022

UArizona School of Theatre, Film & Television ascends public school rankings in ‘The Wrap’ Top 50 Film Schools of 2022

November 7, 2022
Above: I Dream in Widescreen, TFTV’s annual showcase of senior thesis short films, attracted a full house at the Fox Tucson Theatre in May 2022.
PHOTO JULIUS SCHLOSBERG

This week The Wrap published its annual ranking of the top 50 Film Schools in the U.S. and this year The University of Arizona School of Theatre, Film & Television (TFTV) ascended to No. 6 in public film schools. UArizona was ranked No. 25 overall, making the top half of the competitive list alongside heavy hitters USC, UT Austin, UCLA and NYU.

The Wrap’s seventh annual ranking of film schools was compiled via data points from each school on the list on class size, student body diversity, scholarships and networking opportunities, along with updates since last year’s rankings on new facilities, new faculty and new programs. Other considerations included input from former and current film school deans and an assessment of the alumni each school generates.

Significant achievements by the School of Theatre, Film & Television over the past year:

  • Films created by TFTV students attracted global industry attention. With strategy and mentorship provided by TFTV’s Festival and Awards office, Sasha Reist’s documentary about gendering in ballet, Changement, screens this month at the Academy Award-qualifying Leeds International Film Festival in the UK. Alexandra Cerna’s fantastical Treasures Beneath My Tree screened at Comic Con International in July, along with fifteen festivals in the U.S., France, Switzerland, and Australia. And Martin Olloren’s drama TWIXXX, which took the top prize at I Dream in Widescreen 2022, won the “Best Performances” award at the LGBTQ+ Toronto Film Festival.
  • In a first, this year TFTV filmmakers earned student Emmy recognition. Brett Jones (’22) received a National Academy of Television Arts & Sciences Student Production Award for Something to Fear, his short film about the basketballer Kennedy Brown.
  • Working to increase sustainability, TFTV joined the Green Film School Alliance (GFSA), a collaboration of leading film schools united to integrate industry-level sustainable production practices into their programs. Students are taking the lead: the efforts of seniors Kaleigh Brown and Jason Lee to reduce waste on the set of their film Ferb and Lou Play a Game, including banning all plastic water bottles and switching to LED lights, earned an EMA Green Seal.
  • Speaking to the University’s land-grant mission, TFTV partnered with the Kinlani Film Project, an after-school filmmaking program for Diné, Hopi, Tohono O’odham, and Havasupai high school students, and digital movie camera manufacturer BlackMagic Design to provide support for the Indigenous students to create their own short film. BlackMagic supplied camera equipment and TFTV alum Kristian Jackson (’19) edited the film, mentoring the student filmmakers during the editing process. With a festival strategy put together by TFTV, the resulting film, Tsiiyééł, has been seen at festivals from New York to London, including the ImagineNATIVE Film + Media Arts Festival and the American Indian Film Festival.
  • TFTV’s Film & Television Internship and Early Career program, led by Lisanne Skyler, expanded student placement through personalized professional career mentoring, and increased industry partnerships and collaboration with alumni working in all aspects of the industry. In 2022, TFTV students were selected for competitive internships at Warner Bros. Discovery. Recent graduates are working at top tier agencies, studios and innovative platforms such as Tubi and XTR.
  • The Hanson FilmTV Institute was re-launched under the new directorship of Mia Farrell. Film consultant, publicist and a veteran of the Cannes, Tribeca and Sundance Film Festivals, Farrell joined the School in 2022 from the British Film Institute (BFI), where she led the LFF Critics Mentorship Programme, an initiative to expand diversity in film criticism and media. Hanson provides tailored programs for students that generate additional industry connections and employment opportunities.
  • TFTV launched a new online program allowing students to earn a BA in Film & Television 100% remotely. Headed by filmmaker Nicole Koschmann, the degree is part of AZ Online, the University of Arizona’s top-ranked undergraduate accredited online degree program.

About the School of Theatre, Film & Television
The School of Theatre, Film & Television, a member of the Arizona Arts division at the University of Arizona, nurtures and develops outstanding artists and scholars via rigorous training and mentoring by internationally recognized faculty, high-level internship opportunities, industry-standard resources, and hands-on production experience. TFTV offers comprehensive training programs that aim to prepare students to succeed in a wide range of careers – in the industry, the arts, and higher education. Each year through Arizona Repertory Theatre productions, Next Performance Collective productions, and Film & Television screenings, students of TFTV are able to showcase their talents, tell compelling stories, and provide clear results of what happens in their classrooms and studios. TFTV’s Film & Television program regularly ranks in The Wrap’s “Top 50 Film Schools,” and the School’s Theatre programs regularly rank in Onstage’s “Top 30 College Musical Theatre Programs” and “Top 30 College Theatre Design & Tech Programs” making UA one of the country’s top institutions to study theatre, film and television. More at tftv.arizona.edu.

Contact
Kerryn Negus
Director, Advancement and External Relations
School of Theatre, Film & Television
knegus@arizona.edu
Tel: 520-626-1405

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Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

5 hours ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
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IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

2 days ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 days ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 days ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GLASS PLANET by Gaël Baup. A young astronaut defies all odds to search for his long-lost father on a perilous, uncharted glass planet—an unforgiving world where no one has ever returned, and where he must confront both the planet’s dangers and the haunting mystery of his father’s disappearance.

"It was one of my dream films to make since I was 10 years old ... It is the most ambitious project I have made so far, we got to travel with my crew to Page, Arizona and make our own space suit and shoot in amazing locations with a crew and cast of 4 people," says writer/director Gaël Baup.

The short film version of THE GLASS PLANET will be premiering at I Dream in Widescreen 2025 - a feature length version is currently in production! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

4 days ago
IDIWS Sneak Peek: THE GLASS PLANET by Gaël Baup. A young astronaut defies all odds to search for his long-lost father on a perilous, uncharted glass planet—an unforgiving world where no one has ever returned, and where he must confront both the planet’s dangers and the haunting mystery of his father’s disappearance.

It was one of my dream films to make since I was 10 years old ... It is the most ambitious project I have made so far, we got to travel with my crew to Page, Arizona and make our own space suit and shoot in amazing locations with a crew and cast of 4 people, says writer/director Gaël Baup.

The short film version of THE GLASS PLANET will be premiering at I Dream in Widescreen 2025 - a feature length version is currently in production! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
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IDIWS Sneak Peek: PIZZA GUY RETURNS by Philip D. Summers. A timid pizza delivery guy unknowingly interrupts a cult meeting and must fight for his survival as interdimensional chaos ensues.

"'Pizza Guy Returns' is a remake of the first short film I ever made: 'Pizza Guy'. When I was 15, my high school friends and I made the original film in my dad's garage with an iPhone 6 and old Halloween decorations. I decided to screen the film at a party later that year, and to my complete surprise, my friends and parents loved it. And from that moment on, I have been working on honing my skills as a writer, director, costumer, props master, set designer, and even actor both independently and through my BFA degree here at the U of A. Before I was even accepted into the BFA program, I knew EXACTLY which film I would make as my thesis: Pizza Guy...Returns! With the script pulling thematic inspiration from actual life events that I have endured and through the extreme dedication and creativity of my team, I have been able to bring my dream to life," says writer/director Philip D. Summers.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

5 days ago
IDIWS Sneak Peek: PIZZA GUY RETURNS by Philip D. Summers. A timid pizza delivery guy unknowingly interrupts a cult meeting and must fight for his survival as interdimensional chaos ensues. 

Pizza Guy Returns is a remake of the first short film I ever made: Pizza Guy. When I was 15, my high school friends and I made the original film in my dads garage with an iPhone 6 and old Halloween decorations. I decided to screen the film at a party later that year, and to my complete surprise, my friends and parents loved it. And from that moment on, I have been working on honing my skills as a writer, director, costumer, props master, set designer, and even actor both independently and through my BFA degree here at the U of A. Before I was even accepted into the BFA program, I knew EXACTLY which film I would make as my thesis: Pizza Guy...Returns! With the script pulling thematic inspiration from actual life events that I have endured and through the extreme dedication and creativity of my team, I have been able to bring my dream to life, says writer/director Philip D. Summers.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
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Share on Facebook Share on Twitter Share on Linked In Share by Email
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  • likes 0
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School Of Theatre, Film & Television

Theatre

P.O. BOX 210003
1025 N Olive Rd.
Drama Bldg, Rm 239
Tucson, AZ 85721-0003

Email: theatre@cfa.arizona.edu

Phone: (520) 621-7008

Film & Television

P.O. BOX 210158B
845 N Park Ave.
Marshall Bldg, Rm 220
Tucson, AZ 85721-0158b

Email: ftvinfo@cfa.arizona.edu

Phone: (520) 621-7352

Arizona Arts Box Office

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Box Office Hours:

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Please note: The Box Office observes limited hours or is closed during most university recognized holidays. If purchasing tickets in person, please call ahead to confirm hours.

Online: tickets.arizona.edu

Phone: (520) 621-3341


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College of Fine Arts

P.O. BOX 210004
1017 N Olive Rd.
Music Bldg, Rm 111
Tucson, AZ 85721-0004

Email: finearts@cfa.arizona.edu

Phone: (520) 621-1302