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Home › News & Events › News › UArizona School of Theatre, Film & Television Named a Top 50 Film School by The Wrap

UArizona School of Theatre, Film & Television Named a Top 50 Film School by The Wrap

October 16, 2020

For Immediate Release
Press Contact: Kerryn Negus
knegus@email.arizona.edu
Tel: 520-626-1405

Above: On the set of A Hunger, written, directed and produced by Anthony Cutrone. A Hunger premiered at I Dream in Widescreen in August 2020. From L-R: Emma Sinex (’20), actor Lance Guzman, Cutrone (’20), cinematographer Gilbert Rataezyk (’16).

October 16, 2020: The Wrap has published its annual ranking of the top 50 Film Schools in the U.S. and The University of Arizona School of Theatre, Film & Television (TFTV) again features prominently at #26. The Wrap is the leading digital news organization covering the business of entertainment and media. The rankings are determined by a poll of more than 2,000 entertainment industry leaders, educators, deans, filmmakers and film commentators, along with experts tasked with evaluating each school. 2020 marks the fourth year in which TFTV has been credited in the highly anticipated rankings.

“We are delighted to again be acknowledged in the latest rankings,” said TFTV Director Andrew Belser. “It means a lot particularly in this unprecedented year, when we have gathered around our students to sustain their learning and careers, including calling on film/tv industry leaders who are alumni to work with and support them. This recognition also affirms our growth in bringing advanced film technology into our school so we can teach toward the new industry standard creative processes. As the world of film and television are also telling more diverse stories, and promoting new layers of inclusion, we are also committed to preparing our students for an increasingly rich cultural world. We are thrilled to be recognized by The Wrap as a rising program amidst a powerful group of film/tv and media schools.”

In a year beset by a pandemic, The Wrap placed a focus on TFTV’s nurturing educators and industry-leading alumni and families. In response to the shutdown, the School’s tight knit community rallied to support the Class of 2020 filmmakers. UA faculty member and filmmaker Lisanne Skyler reached out to a collaborator and alum dad, Emmy-award winning sound mixer Scott Weber, C.A.S. (Westworld, Lost). Synthesizing Zoom and Source Connect, Weber created a virtual mixing platform, connecting UA filmmakers to his Burbank studio, allowing them to professionally complete their films in full 5.1 style for the School’s first online edition of its annual film showcase I Dream in Widescreen — normally a capacity event at the historic Fox Tucson Theatre, and a beloved rite of passage.

When it was announced that I Dream in Widescreen would have to migrate to the School’s YouTube channel, UA alumni luminaries rallied to help create a digital film festival to celebrate their alma mater’s next generation of filmmakers.  During the two-day event, organized by faculty Lisanne Skyler, Beverly Seckinger, the School’s new Advancement Director Kerryn Negus and marketing staff Jordan Lorsung, and kicked off by Netflix’s Head of Original Film Scott Stuber, online audiences listened to conversations with UA alumni about careers, craft and life in a COVID-shaken industry, such as Lindsay Utz, editor of the Academy Award Winning feature doc. American Factory, director Tyler Gillett (Scream 5), Sundance festival programmer Mike Plante, WME partner Brad Slater, casting director Eyde Belasco (Sorry to Bother You, Transparent) and YouTuber Darious Britt.

The School also earned accolades for its continued focus on storytelling. “The School of Theatre, Film, and Television has taught me a lot, mainly about what it really takes to make a good film,” says 2020 graduate Adrian Meyer. “We may not be the biggest school out there, but when you look at the films that have come out of this program in the last 10 years you realize that it doesn’t need to be. A good story and a little savvy go a long way.”

While creating their own films and learning the business, UA School of Theatre, Film & Television students get real-world experience interning on faculty productions and publications such as Skyler’s Brillo Box (3¢ Off) for HBO and Jacob Bricca’s upcoming How Documentaries Work (Oxford University Press), and developing original film and television pitches under the guidance of writer-producer Shane Riches. And UA alumni have led by example in the age of COVID: recently, show runner Sierra Ornelas (Superstore, Brooklyn Nine-Nine and the new Rutherford Falls) created the #Donation4NavajoNationChallenge. Within weeks her campaign delivered over $250k for medical supplies, PPE and other lifesaving essentials to Navajo citizens.

About the UA School of Theatre, Film & Television
The University of Arizona School of Theatre, Film & Television (TFTV) nurtures and develops outstanding artists and scholars via rigorous training and mentoring by internationally recognized faculty, high-level internship opportunities, industry-standard resources, and hands-on production experience. TFTV offers comprehensive training programs that aim to prepare students to succeed in a wide range of careers – in the industry, the arts, and higher education. Each year through Arizona Repertory Theatre productions, the Studio Series, and Film & Television screenings, students of TFTV are able to showcase their talents, tell compelling stories, and provide clear results of what happens in their classrooms and studios. TFTV’s Film & Television program regularly ranks in The Wrap’s “Top 50 Film Schools,” and the School’s Theatre programs regularly rank in Onstage’s “Top 30 College Musical Theatre Programs” and “Top 30 College Theatre Design & Tech Programs” making UA one of the country’s top institutions to study theatre, film and television. More at https://tftv.arizona.edu/

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Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT! – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
... See MoreSee Less

2 weeks ago
Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT!  – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
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On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.
... See MoreSee Less

2 weeks ago
On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: https://youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.Image attachmentImage attachment+Image attachment
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Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

3 weeks ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
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IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
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El mejor Director el Mejor cortometraje felicidades Alek Mendez lo hiciste Excelente ❤️❤️❤️

IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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School Of Theatre, Film & Television

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P.O. BOX 210004
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