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Home › News & Events › News › Envisioning the Future of the School of Theatre, Film & Television

Envisioning the Future of the School of Theatre, Film & Television

February 16, 2023

Today Dean Andy Schulz shared the following memo with School of Theatre, Film & Television faculty, staff and students.

In 2010, the School of Media Arts and the School of Theatre Arts came together to form the School of Theatre, Film & Television. Combining these two units was in large measure motivated by the economic effects of the Great Recession, including the dramatic decrease in state funding for higher education and the consequent effects on the University’s budget. Under these conditions, College of Fine Arts leadership was directed to reduce the number of academic units from five to four, and the creation of TFTV was the decided outcome of this mandate.

In tangible ways, TFTV has enjoyed considerable success over the past dozen years, and there is much of which we should all be rightfully proud. Several academic programs enjoy national reputations, student demand has in many cases been strong, graduates have gone on to prominent careers across the professions and industries in which our outstanding and dedicated faculty have prepared them to succeed, and our public performances and productions have a loyal following.

At the same time, the merger of Media Arts and Theatre Arts never fully took place. In fact, since its inception, TFTV has functioned, in practice, as two co-located units rather than as a single, unified School. This condition is reflected in many ways—in the budget, in the bylaws, in the allocation of space, in administrative structures, in the dual course numbering system, and most importantly, in the curriculum itself.

We are now at a crossroads in the history of the School, faced with several important conditions that make this a critical strategic moment to ensure that TFTV becomes a fully unified and cohesive School in administrative, operational, and curricular terms.

The conditions to which I refer were outlined at the TFTV faculty and staff retreat in August 2022, and include:

  1. The unique opportunities afforded by the presence of Theatre and Film within the same academic unit. This condition is enjoyed by very few of our peer institutions. It is, therefore, a crucial unrealized competitive advantage that, once seized, will position the School and its students for even greater success in the evolving professional world they are entering.
  2. The pressing need to ensure that our academic programs are effectively positioned with respect to the dramatic and disruptive shifts that have taken place, and will accelerate, in the industries, professions, and art forms for which we are training students. We are very fortunate in that Condition #1 makes us uniquely positioned to proactively and effectively do so.
  3. The launch of the University of Arizona’s new Activity-Informed Budget model, which puts an increased focus on numbers of majors, course enrollment, and graduated students. The long-term viability of the School requires us to align with the activities that determine the allocation of resources by the University.
  4. Related to Condition #3, the pressing need to rebalance the allocation of resources within the School in order to effectively translate prospective student demand into matriculated student enrollment, and to ensure that students succeed, graduate, and are well prepared for current and future directions of the increasingly integrated worlds of theatre, film, television, and associated media.

With these conditions in mind, the School has been engaged in a deep self-assessment of its academic programs. After consulting with the faculty at large, as well as the School’s executive committee, the assessment process culminated with the faculty offering a scenario that forms the basis for the changes outlined below. While not all of the faculty recommendations have been adopted, the bulk of the new vision has been drawn from the faculty suggestions. With this in mind, the faculty will begin revising curriculum in the following ways:

  • The BFA in Acting will broaden its curricular focus to include training in acting for film, television, and associated media. Training in theatre will remain a core component of this revised curriculum.
  • The BFA in Design and Technical Production will revise its curriculum to include not only training in theatre, but also in film and television design, and other entertainment design and technologies, as it has been doing gradually for the last few years.
  • The BA in Theatre will expand its offerings to combine live performance, devised work, and screened performance to respond to robust student demand for a degree program that integrates all of these forms.
  • The BFA in Film Production will broaden to more formally and structurally integrate actors, designers, and technologists from the School into its filmmaking process.
  • The BA in Film and Television will now incorporate more film production coursework for BA students.

In order to accomplish these innovations and allocate resources accordingly, the decision has been made to sunset the following programs on the following timelines:

  • The BFA in Musical Theatre will graduate its currently matriculated students, providing a complete curriculum and fully produced musicals through the end of the 2025/2026 academic year. Although the School will no longer have a professional training program in Musical Theatre after all remaining majors have graduated, future production seasons will include musical theatre performances.
  • The MFA in Design/Technology will conclude at the end of the 2024/2025 academic year with the graduation of its currently enrolled cohort of students. These students will receive their complete curriculum and production assignments in fully produced plays and musicals.

This semester, TFTV faculty and leadership will begin undertaking the revisions and innovations described above with the goal of completing the approval process such that they will be available for an incoming class in the Fall of 2024. Continuing students in good academic standing who matriculated prior to the Fall of 2024 may be able to change to the appropriate revised degree plan if they wish, after evaluating the impact of that change with their academic advisors. Students with further questions about degree completion should contact their academic advisor.

Although revisions to the academic programs will not be complete until Fall 2024, the opening in Fall 2023 of the renovated Marroney Theatre will be emblematic of the new synergy in TFTV, with our audiences enjoying the work of our students in live theatre, film, and partnership productions.

The name of the School will not change. It both recognizes our splendid traditions and points to our exciting future. It perfectly expresses the belief that both live and screened performance are essential for the success of our current and future graduates. With this exciting new vision, we are truly fulfilling the promise inherent in our name: The School of Theatre, Film & Television.

There is much work ahead of us in continuing to both deliver and revise curriculum. All current TFTV faculty and staff will be needed to accomplish this. I look forward to working on this together.

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Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.

We are heading into the FINAL weekend of Romeo + Juliet performances! 🥀⚔

Don't miss this production dubbed "imaginative and lush" and "a refreshingly novel experience" by BroadwayWorld! Read more from the review here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre....

Romeo & Juliet performances continue through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet.

We're also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.
... See MoreSee Less

5 days ago
Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.

We are heading into the FINAL weekend of Romeo + Juliet performances! 🥀⚔

Dont miss this production dubbed imaginative and lush and a refreshingly novel experience by BroadwayWorld! Read more from the review here: https://tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program/.

Romeo & Juliet performances continue through Mar. 19, 2023. Tickets are available here: https://am.ticketmaster.com/uacfa/Romeo&Juliet.

Were also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.Image attachmentImage attachment+7Image attachment
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👏👏👏

Romeo + Juliet Reviews: “A Refreshingly Novel Experience” from a “Stellar Theatre Program”

Romeo + Juliet opened on the Tornabene stage last week, and reviewers from BroadwayWorld and the Arizona Daily Star praised the cast, crew and director Brent Gibbs.

Writing for the Star, Kathy Allen gave kudos to Gibbs for his use of music in this version of the play, which is set in Verona, Kentucky. "Gibbs … injected Appalachian ballads, all about death and dying, into the play. That … was a sort of stroke of genius."

Broadway World's Robert Encila Celdran acknowledged members of the creative team for the “refreshingly novel experience” of the production and its concept – giving nods to Brooke Ford and Jakob Dyson for lighting and sound design, respectively, for "creating sensory details to match a distinctively spirited storytelling approach” and to Christina Griffey's “imaginative and lush” set.

Both reviewers lauded various cast members. Kathy Allen remarked that "Max Murray gave Romeo the innocence and passion necessary in the young lover" and "his Juliet, Sydney Disabato, matched him. One almost blushes witnessing the intense romance between the two."

Romeo + Juliet will run through March 19th in the Tornabene Theatre.

Read more highlights from the reviews here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program
... See MoreSee Less

2 weeks ago
Romeo + Juliet Reviews: “A Refreshingly Novel Experience” from a “Stellar Theatre Program”

Romeo + Juliet opened on the Tornabene stage last week, and reviewers from BroadwayWorld and the Arizona Daily Star praised the cast, crew and director Brent Gibbs.

Writing for the Star, Kathy Allen gave kudos to Gibbs for his use of music in this version of the play, which is set in Verona, Kentucky. Gibbs … injected Appalachian ballads, all about death and dying, into the play. That … was a sort of stroke of genius.  

Broadway Worlds Robert Encila Celdran acknowledged members of the creative team for the “refreshingly novel experience” of the production and its concept – giving nods to Brooke Ford and Jakob Dyson for lighting and sound design, respectively, for creating sensory details to match a distinctively spirited storytelling approach” and to Christina Griffeys “imaginative and lush” set.

Both reviewers lauded various cast members. Kathy Allen remarked that Max Murray gave Romeo the innocence and passion necessary in the young lover and his Juliet, Sydney Disabato, matched him. One almost blushes witnessing the intense romance between the two.

Romeo + Juliet will run through March 19th in the Tornabene Theatre.

Read more highlights from the reviews here: tftv.arizona.edu/news/romeo-juliet-reviews-a-refreshingly-novel-experience-from-a-stellar-theatre-program
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Photo by Tim Fuller. Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.

Congratulations to all these amazing students and faculty!

Too bad this post left out Kathy Allen’s comment about the Musical Theatre degree being dropped and the quality of actors who can also sing will be lost..

Huge congrats to Lance Guzman (BA Theatre Studies ’17) on his acceptance into the highly competitive MFA Acting Program at CalArts School of Theater in Los Angeles 🎉🎉

“I am very excited to start this next chapter of my career and I can’t wait to see what the future has in store for me,” said Guzman. “I am grateful for my time at the University of Arizona, for the opportunity to have been part of the Studio Series, and for the encouragement of Professor Elaine Romero.”

Among many other performances while studying at TFTV, Guzman appeared in the Studio Series’ 'Giants Have Us In Their Books,' directed by Marc Pinate, and 'Mother of Exiles,' part of the U.S./Mexican Border Trilogy by playwright and TFTV Assoc. Prof. Elaine Romero. He also appeared in a number of short films created by Film & Television students including the lead roles in 'A Hunger,' directed by Anthony Cutrone (BFA Film & Television, ’20) and 'Rose,' directed by Linda Varela (BFA ’22). Since graduating, Guzman has been a mainstay in the Tucson theatre scene, appearing in The Scoundrel & Scamp Theatre productions of ‘Salome,’ ‘Mr. Burns,’ ‘Blood Wedding,’ ‘The Little Prince,’ ‘It Is Magic’ and ‘Citizen.’ At The Rogue Theatre, he performed in ‘As You Like It,’ ‘The Oresteia,’ ‘Moby Dick’ and most recently in Lynn Nottage’s Pulitzer-prize winning play, ‘Sweat.’

Bear Down, Lance!
... See MoreSee Less

2 weeks ago
Huge congrats to Lance Guzman (BA Theatre Studies ’17) on his acceptance into the highly competitive MFA Acting Program at CalArts School of Theater in Los Angeles 🎉🎉

“I am very excited to start this next chapter of my career and I can’t wait to see what the future has in store for me,” said Guzman. “I am grateful for my time at the University of Arizona, for the opportunity to have been part of the Studio Series, and for the encouragement of Professor Elaine Romero.”

Among many other performances while studying at TFTV, Guzman appeared in the Studio Series’ Giants Have Us In Their Books, directed by Marc Pinate, and Mother of Exiles, part of the U.S./Mexican Border Trilogy by playwright and TFTV Assoc. Prof. Elaine Romero. He also appeared in a number of short films created by Film & Television students including the lead roles in A Hunger, directed by Anthony Cutrone (BFA Film & Television, ’20) and Rose, directed by Linda Varela (BFA ’22). Since graduating, Guzman has been a mainstay in the Tucson theatre scene, appearing in The Scoundrel & Scamp Theatre productions of ‘Salome,’ ‘Mr. Burns,’ ‘Blood Wedding,’ ‘The Little Prince,’ ‘It Is Magic’ and ‘Citizen.’ At The Rogue Theatre, he performed in ‘As You Like It,’ ‘The Oresteia,’ ‘Moby Dick’ and most recently in Lynn Nottage’s Pulitzer-prize winning play, ‘Sweat.’

Bear Down, Lance!
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So thrilled! Congrats, Lance!

Congrats!

Congratulations, Lance!

Congrats, good sir! Well deserved.

Lance Guzman, I think the world of you and I am so very thrilled that you will be at CalArts! Congratulations from your UArizona peeps. I have been so honored to be part of the community that has participated in your trajectory thus far. Also, you write a good play. Don't forget!

Wow that's amazing, so proud of you!!

Congratulations Lance!!🥰

Congratulations!!! Keep Reaching for the Stars 🎬🎭⭐

Congratulations Buddy! Thanks Fantastic!

Congratulations Lance!!

Congratulations Lance!

So proud of you Lance! Keep it up!

Very nice congratulations

That's fabulous! Congrats!

A friend of Erin’s?

Congratulations Lance!!

Good job Lance Guzman! I'm happy you are pushing hard to get what you want!

Way to go Lance!!

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We're proud to announce that 'How Documentaries Work,' the new book by Assoc. Prof. Jacob Bricca, was recently published by Oxford University Press. Last week at the book's launch party, documentary veteran Jack Walsh delivered opening remarks before Bricca read insightful passages from the book and then took part in a lively Q&A.

In addition to his book release, Bricca has been continuing the festival and awards tour for Missing in Brooks County, the award-winning human rights documentary he produced and edited. Last month, he travelled with the film’s directors Lisa Molomot (TFTV Adjunct Instructor) and Jeff Bemiss to New York to attend the duPont-Columbia University Awards, where the film was honored alongside the Oscar-nominated Navalny and the festival darling The Janes, among others.

Congratulations, Prof. Bricca!

Read more about Prof. Bricca's latest achievements here: tftv.arizona.edu/news/assoc-prof-jacob-bricca-releases-new-book-how-documentaries-work-continues-...
... See MoreSee Less

2 weeks ago
Were proud to announce that How Documentaries Work, the new book by Assoc. Prof. Jacob Bricca, was recently published by Oxford University Press. Last week at the books launch party, documentary veteran Jack Walsh delivered opening remarks before Bricca read insightful passages from the book and then took part in a lively Q&A.

In addition to his book release, Bricca has been continuing the festival and awards tour for Missing in Brooks County, the award-winning human rights documentary he produced and edited. Last month, he travelled with the film’s directors Lisa Molomot (TFTV Adjunct Instructor) and Jeff Bemiss to New York to attend the duPont-Columbia University Awards, where the film was honored alongside the Oscar-nominated Navalny and the festival darling The Janes, among others.

Congratulations, Prof. Bricca!

Read more about Prof. Briccas latest achievements here: https://tftv.arizona.edu/news/assoc-prof-jacob-bricca-releases-new-book-how-documentaries-work-continues-festivals-and-awards-tour-with-film-missing-in-brooks-county/
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Congratulations to TFTV senior Jess Scott on the selection of her play for inclusion in Winding Road Theater Ensemble's May production Eight 10s in Tucson!

Eight 10s is a 10-minute play festival featuring eight original scripts chosen from hundreds of blind submissions from all over the United States, vetted and curated to assemble an eclectic collection of comedies and dramas on themes pertinent to our lives.

"This play was actually the first time I seriously focused on writing a piece," says Jess. "I worked on it over the course of the summer that I initially came out to close friends and family as trans as a way to help come to terms with and understand the beginnings of my gender transition. The piece centers on two young men, one cis, one trans, meeting on a 4 AM bus ride on the hardest night of each of their lives. Professor Roweena Mackay was a huge force in encouraging me to work on my writing during that first semester in the BA when I began work on it, and I can’t thank her enough for doing so. It means a lot to have this piece produced as a part of Eight 10s in Tucson given how much it has meant to me uncovering my identity, and I’m thrilled to be a part of the festival."

Jess, a senior Theatre Studies major, is also serving as the dramaturg for TFTV's upcoming production of HEAD OVER HEELS. And rounding out the year, she'll be directing a piece for the 2023 NEW DIRECTIONS FESTIVAL.

Congratulations, Jess!
... See MoreSee Less

3 weeks ago
Congratulations to TFTV senior Jess Scott on the selection of her play for inclusion in Winding Road Theater Ensembles May production Eight 10s in Tucson! 

Eight 10s is a 10-minute play festival featuring eight original scripts chosen from hundreds of blind submissions from all over the United States, vetted and curated to assemble an eclectic collection of comedies and dramas on themes pertinent to our lives.

This play was actually the first time I seriously focused on writing a piece, says Jess. I worked on it over the course of the summer that I initially came out to close friends and family as trans as a way to help come to terms with and understand the beginnings of my gender transition. The piece centers on two young men, one cis, one trans, meeting on a 4 AM bus ride on the hardest night of each of their lives. Professor Roweena Mackay was a huge force in encouraging me to work on my writing during that first semester in the BA when I began work on it, and I can’t thank her enough for doing so. It means a lot to have this piece produced as a part of Eight 10s in Tucson given how much it has meant to me uncovering my identity, and I’m thrilled to be a part of the festival.

Jess, a senior Theatre Studies major, is also serving as the dramaturg for TFTVs upcoming production of HEAD OVER HEELS. And rounding out the year, shell be directing a piece for the 2023 NEW DIRECTIONS FESTIVAL. 

Congratulations, Jess!
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We're thrilled to present Jess' play! It's phenomenal!

I love a Jess Scott play. I love the work she has been generating here at UArizona. I am so excited for the world to see her work, hear her voice. What a playwright!!!! I am not surprised Winding Road Theater Ensemble wanted to include this play. She's also working on a really cool one as we speak. You will just have to wait!

YASSS JESS!!!

Two households, both alike in dignity, In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean...

Romeo + Juliet opens tomorrow!

Professor Brent Gibbs recently spoke to the fresh presentation of this play. “In the landscape of Shakespeare’s canon Romeo and Juliet, rightly, looms large. With this production we wanted to create a world that unlocks the story for an American audience. To that end we have set our story in Verona, Kentucky just 60 miles from where America’s most famous family feud between the Hatfield and McCoys played out. The setting has proved fortuitous, providing new resonances and revealing new layers of meaning in what promises to be an accessible and highly entertaining telling of this beloved classic.”

This will be the 50th production directed for the School by Prof. Gibbs!

Romeo & Juliet will have performances through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet

We're also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.
... See MoreSee Less

3 weeks ago
Two households, both alike in dignity, In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean...

Romeo + Juliet opens tomorrow!

Professor Brent Gibbs recently spoke to the fresh presentation of this play. “In the landscape of Shakespeare’s canon Romeo and Juliet, rightly, looms large. With this production we wanted to create a world that unlocks the story for an American audience. To that end we have set our story in Verona, Kentucky just 60 miles from where America’s most famous family feud between the Hatfield and McCoys played out. The setting has proved fortuitous, providing new resonances and revealing new layers of meaning in what promises to be an accessible and highly entertaining telling of this beloved classic.”

This will be the 50th production directed for the School by Prof. Gibbs!

Romeo & Juliet will have performances through Mar. 19, 2023. Tickets are available here: am.ticketmaster.com/uacfa/Romeo&Juliet

Were also pleased to announce that this semester, college and high school students can now attend any TFTV Theatre production for FREE. Details about the program are available at azart.fyi/freetftvtix.

Photos by Tim Fuller.

Costume Design by Patrick Holt. Lighting Design by Brooke Ford. Scenic Design by Christina Griffey. Sound Design by Jakob Dyson. Technical Direction by Jason Washburn. Stage Managed by Maggie Green. Text & Dialect Coach Kevin Black. Intimacy Choreography and Dance Choreography by Christie Kerr. Dramaturgy by Dylan Crites. Directed by Brent Gibbs.Image attachmentImage attachment+7Image attachment
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Looks lovely. Wish I could see it. Echoes of "The Rover" Bret Scott

Looks amazing..wish we were there!

Gorgeous set! Looks like a really great production!

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School Of Theatre, Film & Television

Theatre

P.O. BOX 210003
1025 N Olive Rd.
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Tucson, AZ 85721-0003

Email: theatre@cfa.arizona.edu

Phone: (520) 621-7008

Fax: (520) 621-2412

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Tucson, AZ 85721-0158b

Email: ftvinfo@cfa.arizona.edu

Phone: (520) 621-7352

Fax: (520) 621-9662


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P.O. BOX 210004
1017 N Olive Rd.
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Email: finearts@cfa.arizona.edu

Phone: (520) 621-1302

Fax: (520) 621-1307