University of Arizona Logo
  • Visit
  • Give
  • College of Fine Arts Home
  • Prospective Students
    • Film & Television Production
    • Live and Screened Performance
    • Film & Television Producing & Studies
    • Online Program
    • Schedule a Tour
  • Admissions
    • Admissions – Current UA Students
    • Admissions – Prospective Students
  • Current Students
    • Advising
    • Admissions – Current UA Students
    • Minors
    • Professional Internship Program
    • Student Links & Resources
    • Career Development
  • Events & News
    • Events
    • Online Events
    • Arizona Repertory Theatre
    • Screening Events
    • Next Performance Collective
    • News
    • Press Releases
    • Alumni News
  • Facilities & Scholarships
    • Facilities
    • Scholarships & Financial Aid
  • Support & Partnership
    • Offer an Internship
    • Donor Opportunities
    • Current Sponsors
  • About Us
    • Faculty & Staff
    • Impact Report
    • Visit
    • Contact Us
  • Facebook
  • Twitter
  • YouTube
  • Vimeo
  • College of Fine Arts Home
Home › News & Events › News › Envisioning the Future of the School of Theatre, Film & Television

Envisioning the Future of the School of Theatre, Film & Television

February 16, 2023

Today Dean Andy Schulz shared the following memo with School of Theatre, Film & Television faculty, staff and students.

In 2010, the School of Media Arts and the School of Theatre Arts came together to form the School of Theatre, Film & Television. Combining these two units was in large measure motivated by the economic effects of the Great Recession, including the dramatic decrease in state funding for higher education and the consequent effects on the University’s budget. Under these conditions, College of Fine Arts leadership was directed to reduce the number of academic units from five to four, and the creation of TFTV was the decided outcome of this mandate.

In tangible ways, TFTV has enjoyed considerable success over the past dozen years, and there is much of which we should all be rightfully proud. Several academic programs enjoy national reputations, student demand has in many cases been strong, graduates have gone on to prominent careers across the professions and industries in which our outstanding and dedicated faculty have prepared them to succeed, and our public performances and productions have a loyal following.

At the same time, the merger of Media Arts and Theatre Arts never fully took place. In fact, since its inception, TFTV has functioned, in practice, as two co-located units rather than as a single, unified School. This condition is reflected in many ways—in the budget, in the bylaws, in the allocation of space, in administrative structures, in the dual course numbering system, and most importantly, in the curriculum itself.

We are now at a crossroads in the history of the School, faced with several important conditions that make this a critical strategic moment to ensure that TFTV becomes a fully unified and cohesive School in administrative, operational, and curricular terms.

The conditions to which I refer were outlined at the TFTV faculty and staff retreat in August 2022, and include:

  1. The unique opportunities afforded by the presence of Theatre and Film within the same academic unit. This condition is enjoyed by very few of our peer institutions. It is, therefore, a crucial unrealized competitive advantage that, once seized, will position the School and its students for even greater success in the evolving professional world they are entering.
  2. The pressing need to ensure that our academic programs are effectively positioned with respect to the dramatic and disruptive shifts that have taken place, and will accelerate, in the industries, professions, and art forms for which we are training students. We are very fortunate in that Condition #1 makes us uniquely positioned to proactively and effectively do so.
  3. The launch of the University of Arizona’s new Activity-Informed Budget model, which puts an increased focus on numbers of majors, course enrollment, and graduated students. The long-term viability of the School requires us to align with the activities that determine the allocation of resources by the University.
  4. Related to Condition #3, the pressing need to rebalance the allocation of resources within the School in order to effectively translate prospective student demand into matriculated student enrollment, and to ensure that students succeed, graduate, and are well prepared for current and future directions of the increasingly integrated worlds of theatre, film, television, and associated media.

With these conditions in mind, the School has been engaged in a deep self-assessment of its academic programs. After consulting with the faculty at large, as well as the School’s executive committee, the assessment process culminated with the faculty offering a scenario that forms the basis for the changes outlined below. While not all of the faculty recommendations have been adopted, the bulk of the new vision has been drawn from the faculty suggestions. With this in mind, the faculty will begin revising curriculum in the following ways:

  • The BFA in Acting will broaden its curricular focus to include training in acting for film, television, and associated media. Training in theatre will remain a core component of this revised curriculum.
  • The BFA in Design and Technical Production will revise its curriculum to include not only training in theatre, but also in film and television design, and other entertainment design and technologies, as it has been doing gradually for the last few years.
  • The BA in Theatre will expand its offerings to combine live performance, devised work, and screened performance to respond to robust student demand for a degree program that integrates all of these forms.
  • The BFA in Film Production will broaden to more formally and structurally integrate actors, designers, and technologists from the School into its filmmaking process.
  • The BA in Film and Television will now incorporate more film production coursework for BA students.

In order to accomplish these innovations and allocate resources accordingly, the decision has been made to sunset the following programs on the following timelines:

  • The BFA in Musical Theatre will graduate its currently matriculated students, providing a complete curriculum and fully produced musicals through the end of the 2025/2026 academic year. Although the School will no longer have a professional training program in Musical Theatre after all remaining majors have graduated, future production seasons will include musical theatre performances.
  • The MFA in Design/Technology will conclude at the end of the 2024/2025 academic year with the graduation of its currently enrolled cohort of students. These students will receive their complete curriculum and production assignments in fully produced plays and musicals.

This semester, TFTV faculty and leadership will begin undertaking the revisions and innovations described above with the goal of completing the approval process such that they will be available for an incoming class in the Fall of 2024. Continuing students in good academic standing who matriculated prior to the Fall of 2024 may be able to change to the appropriate revised degree plan if they wish, after evaluating the impact of that change with their academic advisors. Students with further questions about degree completion should contact their academic advisor.

Although revisions to the academic programs will not be complete until Fall 2024, the opening in Fall 2023 of the renovated Marroney Theatre will be emblematic of the new synergy in TFTV, with our audiences enjoying the work of our students in live theatre, film, and partnership productions.

The name of the School will not change. It both recognizes our splendid traditions and points to our exciting future. It perfectly expresses the belief that both live and screened performance are essential for the success of our current and future graduates. With this exciting new vision, we are truly fulfilling the promise inherent in our name: The School of Theatre, Film & Television.

There is much work ahead of us in continuing to both deliver and revise curriculum. All current TFTV faculty and staff will be needed to accomplish this. I look forward to working on this together.

Events & News

  • Events
  • Arizona Repertory Theatre
  • Next Performance Collective
  • Screening Events
  • News
  • Alumni News
  • Newsletter

Facebook

Comments Box SVG iconsUsed for the like, share, comment, and reaction icons

Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT! – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
... See MoreSee Less

1 week ago
Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT!  – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 1
  • Comments: 0

0 CommentsComment on Facebook

On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.
... See MoreSee Less

1 week ago
On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: https://youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.Image attachmentImage attachment+Image attachment
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 2
  • Comments: 0

0 CommentsComment on Facebook

Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

1 week ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 0
  • Comments: 0

0 CommentsComment on Facebook

IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

2 weeks ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 1
  • Comments: 0

0 CommentsComment on Facebook

IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

2 weeks ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 1
  • Comments: 1

1 CommentComment on Facebook

El mejor Director el Mejor cortometraje felicidades Alek Mendez lo hiciste Excelente ❤️❤️❤️

IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

2 weeks ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
View on Facebook
· Share
Share on Facebook Share on Twitter Share on Linked In Share by Email
View Comments
  • likes 0
  • Shares: 0
  • Comments: 0

0 CommentsComment on Facebook

Load more
  • Prospective Students
    • Film & Television Production
    • Live and Screened Performance
    • Film & Television Producing & Studies
    • Online Program
    • Schedule a Tour
  • Admissions
    • Admissions – Current UA Students
    • Admissions – Prospective Students
  • Current Students
    • Advising
    • Admissions – Current UA Students
    • Minors
    • Professional Internship Program
    • Student Links & Resources
    • Career Development
  • Events & News
    • Events
    • Online Events
    • Arizona Repertory Theatre
    • Screening Events
    • Next Performance Collective
    • News
    • Press Releases
    • Alumni News
  • Facilities & Scholarships
    • Facilities
    • Scholarships & Financial Aid
  • Support & Partnership
    • Offer an Internship
    • Donor Opportunities
    • Current Sponsors
  • About Us
    • Faculty & Staff
    • Impact Report
    • Visit
    • Contact Us

School Of Theatre, Film & Television

Theatre

P.O. BOX 210003
1025 N Olive Rd.
Drama Bldg, Rm 239
Tucson, AZ 85721-0003

Email: theatre@cfa.arizona.edu

Phone: (520) 621-7008

Film & Television

P.O. BOX 210158B
845 N Park Ave.
Marshall Bldg, Rm 220
Tucson, AZ 85721-0158b

Email: ftvinfo@cfa.arizona.edu

Phone: (520) 621-7352

Arizona Arts Box Office

1020 E. University Blvd.
Centennial Hall
Tucson, AZ 85721-0021

Box Office Hours:

Tuesday - Friday: 12:00pnm – 6:00pm
Saturday: 12:00pm - 5:00pm
*One hour before show times at venue of performance
Please note: The Box Office observes limited hours or is closed during most university recognized holidays. If purchasing tickets in person, please call ahead to confirm hours.

Online: tickets.arizona.edu

Phone: (520) 621-3341


Console

Copyright © 2025 The Arizona Board of Regents on behalf of the University of Arizona

University Privacy Statement

College of Fine Arts

P.O. BOX 210004
1017 N Olive Rd.
Music Bldg, Rm 111
Tucson, AZ 85721-0004

Email: finearts@cfa.arizona.edu

Phone: (520) 621-1302