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Home › News & Events › News › Daily Wildcat: Student Filmmakers prepare for Magic Hour

Daily Wildcat: Student Filmmakers prepare for Magic Hour

May 6, 2025
Behind the scenes image from David J. Aberle and Steven Saldaña’s ‘Saving Clementine’.

On Saturday, March 22, at White Stallion Ranch, between 15 and 20 filmmakers from the University of Arizona gathered to film two grown men in chicken suits battling.

The masterminds behind this idea are co-directors David Joseph Aberle and Steven Saldaña. Their film, “Saving Clementine,” is a comedy short in which two brothers are kidnapped and forced into a cockfighting ring. The film serves as their final project for Peter Lauer’s Fiction Production class. Seats are limited, and only 20 film students per year can take Fiction Production, which holds a single class session during the spring semester. Aberle notes that Saldaña only made it off the waitlist after several students dropped out.

The 20 students are then split into pairs to create 10 short films, which will debut at the screening event called Magic Hour, taking place this year on May 14.

“Our teacher for the Magic hour class, Peter Lauer, is one of the best teachers I’ve ever had,” Lindsey Policar, a junior BFA, said. “He’s just so smart and, has such great advice and lessons — and I think the best thing is and this goes for most of the teachers as well — but with him specifically he cares about it so much that in his free time, sometimes I’ll get an email at like one in the morning and he’ll be like, ‘I just had this cool idea for a shot you can do’ and I’m like, that’s so cool!”

Policar is co-directing the short film “My Other Half,” which follows two sisters as they confront their trauma during a party that’s going south.

Students are required to fund their own films out of pocket. Policar and her co-director, Brent Cesolini, filmed “My Other Half” on a budget of $200, mostly raised through a GoFundMe campaign. According to Policar, the funding came largely from friends, family and her boyfriend.

Aberle and Saldaña had been saving money since last semester to fund their film, long before they had even settled on a genre. Together, the co-directors managed to set aside nearly $5,000.

“Mind you, it’s still considered a micro-budget. It’s nowhere near independent films asking for a couple million for a production. But we made use of what we had,” Alberle said.

Juggling a film production alongside a full schedule of classes has proven to be challenging for the budding filmmakers, who are tasked with coordinating crews ranging from 15 to 50 members, depending on the project’s needs. Aberle credits good organization and his wife with keeping him on track through the chaotic filming process.

According to Sarah Astrowsky, co-director of the film “The Dancer,” she and her co-director, Sean Leeman, had to catch up on sleep once they returned their equipment after a long weekend shoot.

“There are so many moving parts to making a film, but it’s all about balance and communication,” Astrowsky said in an email, “I’m beyond excited to finally piece everything together and showcase our talented cast and crew.”

The junior BFA filmmaking journey doesn’t end with Magic Hour. For their senior year, BFAs create a senior thesis film, which is presented at the screening event I Dream In Widescreen. Even as they work on their Magic Hour projects, students like Policar and Aberle are already planning their next large projects. In contrast to a comedy about cockfighting, Aberle is planning an indigenous horror film.

“This is a culmination of our learning experience here at U of A. So going into indigenous horror or something that I’m really connected to being a medicinal person from my Diné Navajo tribe.” Alberle said. “Having that connection to the spiritual world, already being able to tell certain spirits stories and being able to showcase that world which is almost untapped due to taboo and due to only certain people being able to tell those stories, while still keeping sacredness.”

Some Magic Hour productions will continue filming throughout April, while others have begun the post-production process, including editing and effects work. All are preparing for their hard work to be screened on May 14.

Feature by Aiden Williams originally published at The Daily Wildcat.

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Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT! – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
... See MoreSee Less

2 weeks ago
Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT!  – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
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On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.
... See MoreSee Less

2 weeks ago
On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: https://youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.Image attachmentImage attachment+Image attachment
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Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

2 weeks ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
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IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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El mejor Director el Mejor cortometraje felicidades Alek Mendez lo hiciste Excelente ❤️❤️❤️

IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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