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Home › Faculty Features › Elaine Romero

Elaine Romero

Associate Professor

June 28, 2019

Playwright Elaine Romero once passed out ham sandwiches with Mother Teresa in Paris. She loves to write in coffee shops and claims that most of her plays “begin as a sort of haunting.”

Elaine’s trilogy U.S. at War: Three Plays includes Graveyard of Empires, A Work of Art, and the upcomingRain of Ruin. Graveyard of Empires, the first installment of the U.S. at War, won the American Blues Theater’s Blue Ink! Playwriting Award and received its World Premiere at 16th Street Theater under the direction of Kevin Christopher Fox. Chicago Dramatists in association with the Goodman Theatre,produced the World Premiere of A Work of Art under the direction of Goodman’s Associate Artist, Henry Godinez. The play was developed as part of the Goodman Theatre’s Playwrights Unit led by dramaturg Tanya Palmer. Modern Slave received a staged-reading at Victory Gardens Theater, directed by Erica Weiss.

Elaine is working as the head playwright for Barrio Stories for Borderlands Theater with funding for herself and her collaborator, Professor Lydia Otera, from the University of Arizona’s Confluence Center for Creative Inquiry. The play will receive its World Premiere in Spring 2016.

Ponzi and Walk into the Sea were also presented at the Goodman. Ponzi (Edgerton Fund for New American Play Award) premiered at Kitchen Dog Theater. Her trilogy about the Arizona/Mexican border includes Wetback and Mother of Exiles (commissioned and produced by Cornell University). With the Arizona Theatre Company, Elaine has been awarded an NEA grant to oversee Voices of a New America, an ambitious project to include Latino in every aspect of the company. The grant provides funds for Elaine to write the third and final play of her border trilogy.

Something Rare and Wonderful received its World Premiere at the Alley Theatre. Barrio Hollywood was performed at Orlando Shakespeare Theater (OST; Spanish translation) and premiered in Spanish at Aurora Theatre in Lawrenceville, GA. Acting editions of Barrio Hollywood in separate English and Spanish are published by Samuel French. Elaine was the first author in Samuel French’s 175-year history to be published in Spanish. The play also appears in Vaqueeros, Calacas, and Hollywood (Bilingual Review Press). Other productions include Borderlands Theater, Miracle Theatre, and New Theatre. Revolutions premiered in Spanish at the Panama National Theatre and in English at Manhattan Theatre Source.

Some commissions include Ford’s Theatre (Modern Slave), Kennedy Center for Performing Arts (Xochi: Jaguar Princess), Theatre Seven of Chicago (These People), Alley Theatre, Cornell University (Mother of Exiles), Arkansas Repertory Theatre (Sun, Stone, and Shadows), Kitchen Dog Theater Company/NNPN Commission (Ponzi), InterAct Theatre Company (The Dalai Lama is Not Welcome Here), and Magic Theatre/Sloan Science & Technology Grant (Walk into the Sea).  She has participated in the Sundance Playwrights’ Retreat, Playwrights’ Center’s New Plays on Campus Program, and Arkansas Repertory’s Voices at the River.

Elaine participated in the National Hispanic Media Coalition’s Television Writer’s Program, NBC’s Writers on the Verge Program, and CBS Diversity Institute’s Writer’s Mentorship Program. She received the Arizona Commission on the Arts Playwriting Fellowship, TCG/Pew National Theatre Artist in Residence grant, the NEA/TCG Theatre Residency Program for Playwrights grant.  Other awards include: Los Angeles Film School Scholarship, Sprenger-Lang New History Play Contest, Tennessee Williams One-Act Play Award, and The Chicano/Latino Literary Award.

Some of Elaine’s other plays include iCuranderas! Serpents of the Clouds, Alicia, Like Heaven, If Susan Smith Could Talk, Majestic County, Secret Things, The Fat-Free Chicana and the Snow Cap Queen, Before Death Comes for the Archbishop, Day of Our Dead, Undercurrentshave been developed/produced at such theatres as Actors Theatre of Louisville, Magic Theatre, Ford Amphitheatre, New Theatre, Florida Studio Theatre, Arizona Theatre Company, Curious Theatre Company, Bloomington Playwrights Project, Kitchen Dog Theater, Urban Stages, INTAR, the Playwrights’ Center, Women’s Project and Productions, the Working Theater, the Lark Theatre, Invisible Theatre, San Diego Repertory Theatre, Borderlands Theater, Bay Area Playwrights Festival, and Miracle Theatre.

Publishers include: Samuel French, Vintage Books, Playscripts, Smith and Kraus, Heinemann Press, University of Iowa Press, UA Press, Simon and Schuster, Applause Books, and Bedford/St. Martin’s Press. Upcoming publications include an essay entitled, “The Power of Space” in (Re)Positioning the Latina/o Americas: Theatrical Histories and Cartographies of Power. Southern Illinois University Press, a contribution in Michael Wright’s Playwriting at Work and Play,and the play, Xochi: Jaguar Princess in Palabras Del Cielo: A Critical Anthology of Latina/o TYA Plays & Playwrights with Dramatic Publishing. Walking Home will be published abroad.

Elaine has been a Guest Artist at the Mark Taper Forum, Denver Center Theatre Company, and South Coast Repertory. Playwright-in-Residence at the Arizona Theatre Company, Elaine co-chaired the National Association of Independent Producers’ National Conference. She participated in the Hermitage Artist Retreat, ENVISION Retreat, and the Orchard Project. Wetback received readings nationwid and was included in 30/30. Revolutions premiered at Manhattan Theatre Source. The short version of Rain of Ruin was produced in Sydney, Australia and appeared on Australian television. A Simple Snow won the InspiraTO Festival/Toronto.

Elaine was a 2012-2013 Carl Djerassi Fellow at UW-Madison under the generous support of the late Carl J. Djerassi. Recent premieres includeSecret Things with Camino Real Productions in New Mexico, and, These People with Theatre Seven of Chicago. Elaine serves on the Board of the National Association of Independent Producers. She is a Resident Playwright at Chicago Dramatists.

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Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT! – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
... See MoreSee Less

2 weeks ago
Join us for Magic Hour 🎬✨

Tonight we’ll debut ten new short fiction films made by TFTV students in back-to-back screenings in the Marroney Theatre at 6pm and 8pm.

• THE PAINTER – Written by Clinton Willis, Directed by Mike Choi & Clinton Willis
• BETWEEN THE LINES – Written & Directed by Litzy Carrasco, Cinematography by Angelica Pelaez
• SAVING CLEMENTINE – Written, Directed, & Produced by Steven Saldaña & David J. Aberle
• THE DANCER – Written by Sean Leeman, Directed & Produced by Sarah Astrowsky
• STUFFED – Written by Ashley Courter, Directed & Edited by Ashley Courter & Danielle Norris
• ACTION MAN – Written, Directed & Produced by Donovan Heaney & Elias Rice Bensch
• MY OTHER HALF – Written & Directed by Lindsey Policar & Brent Cesolini
• LOCKED OUT!  – Written & Directed by Brady McDowell, Produced by Emory Johnson & Brady McDowell
• BACKROADS – Written & Directed by Marcus Thomas, Produced by Marcus Thomas & Garrett Heffelfinger
• 1, 2, 3… DATE! – Written & Directed by Kaitlyn Liddicoat & Geen Lee

The 8pm screening will be followed by a short Q&A with the filmmakers hosted by The Loft Cinema’s Jeff Yanc.

May 14
Back-to-back screenings at 6pm and 8pm
Marroney Theatre
FREE
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On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.
... See MoreSee Less

2 weeks ago
On May 10, filmmakers from TFTV’s Class of 2025 screened their senior thesis films for a completely sold out audience at I Dream in Widescreen! Along with the filmmakers, we were excited to welcome to the Fox Tucson Theatre their families, cast and crew, industry guests, sponsors, TFTV faculty, staff and students, and countless community supporters. Thank you to everyone who helped make this event possible!

Huge congratulations to all of our filmmakers on this incredible achievement. We cannot wait to see where your paths take you next!

Missed the in-person event but still want to catch the films from the Class of 2025? Watch them all for a limited time on our YouTube channel: https://youtu.be/_07CFZnutrg.

Photos by Julius Schlosburg.Image attachmentImage attachment+Image attachment
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Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Women's Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah!

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!
... See MoreSee Less

2 weeks ago
Sarah Astrowsky’s film REMEMBER OUR LEGACY has been officially selected to screen next month at the Hot Springs International Womens Film Festival, where it is also a Finalist in the Student Film category.

The story of REMEMBER OUR LEGACY is close to Sarah’s heart. The film is a tribute to her great-grandmother, Mania Lichtenstein, who survived unimaginable horrors during the Holocaust, and whose strength has shaped the lives of each subsequent generation of Sarah’s family. “My hope is that her story inspires viewers to recognize the power of resilience and the beauty of carrying forward those who came before us,” says Sarah.

The short film was created in TFTV’s Documentary Production Class and first debuted in December at the What’s Up Docs showcase. Congratulations Sarah! 

Catch Sarah’s latest film THE DANCER, co-created with Sean Leeman, this week at Magic Hour!Image attachment
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IDIWS Sneak Peek: NOSTALGIATHON '99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl band's skills and friendships are tested as they attempt to throw an epic final show for their entire town.

"Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson)," reflected writer/director Cailan Compierchio . "Nostalgiathon '99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks ('94), Dazed and Confused ('93), Slacker ('90), and Empire Records ('95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock."

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: NOSTALGIATHON 99 by Cailan Compierchio. After losing their practice space, an inexperienced riot grrrl bands skills and friendships are tested as they attempt to throw an epic final show for their entire town.

Going into this process, I knew I wanted to do something that was weird, funny, and featured strong female friendships (three phrases that also describe the past four years of my life here in Tucson), reflected writer/director Cailan Compierchio . Nostalgiathon 99 was conceived as a pastiche of 90s/early 2000s comedies, so a lot of those were huge influences. Stylistically, we were drawn to the aesthetics of skate videos and stoner buddy comedies. Narratively, we drew inspiration from large ensemble pieces of the time, like Clerks (94), Dazed and Confused (93), Slacker (90), and Empire Records (95). In terms of my broader career, the person who made me realize I wanted to be a writer was Tina Fey, and her work on Saturday Night Live and 30 Rock.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: THE GRIT OF IT ALL by Alek Mendez. In 1988 Arizona, Detective James, a man struggling with past trauma, is assigned to investigate a grisly murder in “Las Sombras”, an abandoned western show town.

“Throughout my journey in film school, I’ve been drawn to narratives exploring complex human emotions and psychological themes. With ‘The Grit of It All,’ I wanted to harness those interests into something distinctly cinematic—a story about confronting trauma, guilt, and repressed emotion, layered beneath psychological horror. The film was more than just another assignment; it was an artistic pursuit where I could authentically showcase my voice and vision as a filmmaker,” says writer/director Alek Mendez.

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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El mejor Director el Mejor cortometraje felicidades Alek Mendez lo hiciste Excelente ❤️❤️❤️

IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!
... See MoreSee Less

3 weeks ago
IDIWS Sneak Peek: PARALLEL LINES by Neylani Castro. Two strangers repeatedly cross paths without noticing, until a brush between them unveils the invisible thread of their intertwined fates.

“I’ve always been a firm believer that everything we live through and every person we meet has a purpose, nothing is ever a coincidence. The concepts of fate, in-yun, the invisible string theory, and past lives have always intrigued me. Friendships, romantic relationships, and the family you are born into all consist of fate,” reflects writer/director Neylani Castro. “My dad is from Caimanero, Sinaloa. He was invited by his cousin to come to this retreat in Nogales, Sonora - 9 hours from where he lived. There he saw my mom for the first time. My dad says he felt a pull, a sort of magnetism towards my mom. At the end of the first day the new members were asked to pick out of a bowl who will be their guide for the rest of the retreat. When my dad picked out the paper, my mom’s name was written on it. My parents were two parallel lines, and when the time was right their fates intertwined.”

Premiering at I Dream in Widescreen 2025! More info and tickets at idiw.tftv.arizona.edu.

$5 | May 10 at 7pm | Fox Tucson Theatre
Doors open at 6pm. Arrive early to ensure your seat!Image attachment
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